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Comp. Lit. 501/ German 510 Professor Martha Helfer
Fall 2005 mhelfer@rci.rutgers.edu
Introduction to Literary Theory
This course will trace the genealogy of contemporary literary criticism from Kant through the German romantics to early twentieth-century critical theory. In particular, we will explore the role of aesthetics and art in major philosophical theories of subjectivity, and the structure of critical discourse in these theories.
Course requirements: Thorough preparation of assigned texts, active class participation, three take-home essay exams.
9/12 Introduction
Kant: Answer to the Question: What is Enlightenment?
Preface to the first edition of the Critique of Pure Reason
9/19 Kant: Critique of Judgment (The Beautiful)
9/26 Kant: Critique of Judgment (The Sublime)
10/3 (reschedule)
Schiller: On the Aesthetic Education of Man (Letters 1-9)
10/10 (author unknown): Oldest System-Program of German Idealism
Schlegel: fragments (selection)
10/17 Schlegel: Conversation on Poetry essay #1 due
10/24 Hegel: Phenomenology: master-slave dialectic
10/31 Nietzsche: On Truth and Lie in an Extramoral Sense
111/7 Nietzsche: The Birth of Tragedy
11/14 Lukcs: Theory of the Novel essay #2 due
11/21 Benjamin: The Work of Art in the Age of Mechanical Reproduction
11/28 Heidegger: The Age of the World Picture
12/5 Derrida: White Mythology
12/12 review
12/19 Take-home final exam due at 3 p.m.
This is a hard deadline -- no extensions!
plagiarism policy: Plagiarism is the representation of the words or ideas of another as ones own. Students found guilty of plagiarism will be disciplined to the fullest extent of the university code on academic integrity.
ADA policy: The Americans with Disabilities Act requires that reasonable accommodations be provided for students with physical, sensory, cognitive, systemic, learning, and psychiatric difficulties. Please contact the instructor of this course at the beginning of the semester to discuss any such accommodations for this course.
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Fall 2005 mhelfer@rci.rutgers.edu
Introduction to Literary Theory
This course will trace the genealogy of contemporary literary criticism from Kant through the German romantics to early twentieth-century critical theory. In particular, we will explore the role of aesthetics and art in major philosophical theories of subjectivity, and the structure of critical discourse in these theories.
Course requirements: Thorough preparation of assigned texts, active class participation, three take-home essay exams.
9/12 Introduction
Kant: Answer to the Question: What is Enlightenment?
Preface to the first edition of the Critique of Pure Reason
9/19 Kant: Critique of Judgment (The Beautiful)
9/26 Kant: Critique of Judgment (The Sublime)
10/3 (reschedule)
Schiller: On the Aesthetic Education of Man (Letters 1-9)
10/10 (author unknown): Oldest System-Program of German Idealism
Schlegel: fragments (selection)
10/17 Schlegel: Conversation on Poetry essay #1 due
10/24 Hegel: Phenomenology: master-slave dialectic
10/31 Nietzsche: On Truth and Lie in an Extramoral Sense
111/7 Nietzsche: The Birth of Tragedy
11/14 Lukcs: Theory of the Novel essay #2 due
11/21 Benjamin: The Work of Art in the Age of Mechanical Reproduction
11/28 Heidegger: The Age of the World Picture
12/5 Derrida: White Mythology
12/12 review
12/19 Take-home final exam due at 3 p.m.
This is a hard deadline -- no extensions!
plagiarism policy: Plagiarism is the representation of the words or ideas of another as ones own. Students found guilty of plagiarism will be disciplined to the fullest extent of the university code on academic integrity.
ADA policy: The Americans with Disabilities Act requires that reasonable accommodations be provided for students with physical, sensory, cognitive, systemic, learning, and psychiatric difficulties. Please contact the instructor of this course at the beginning of the semester to discuss any such accommodations for this course.
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