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Introductory
Courses |
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Beginners
or students with less than two years of German in secondary school
normally take courses 01:470:101,102, and then 131,132. Students
who have had two or more years of German in secondary school and
who wish to continue this language are assigned according to their
achievement on a placement test. Students who wish to complete the
equivalent of 101-102, 131-132 within one year may do so by taking
Accelerated Beginning German (111-112; 6 credits per term). Courses
01:470:101,102 and 105,106 are conducted partly in German. All other
courses, with the exception of literature, culture, and film courses
in English translation, are conducted entirely in German.
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01:470:101-102.
ELEMENTARY GERMAN (4,4) |
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Not
open for credit to students who have had two or more years of secondary
school German.
Basic skills of listening, speaking, reading, and writing; study
of grammar and vocabulary building; supplementary work in the language
laboratory.
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01:470:103
ELEMENTARY GERMAN LAB (1) |
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Corequisite:
01:470:101 Elementary German
Instructor-guided laboratory practicum based on intensive use of
media. Designed for the improvement of aural/oral skills. Practice
involves use of text related audiotapes and videotapes, individual
and group work, and recordings of student speech for evaluation
of pronunciation and fluency.
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01:470:104
ELEMENTARY GERMAN LAB (1) |
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Corequisite:
01:470:102 Elementary German
Instructor-guided laboratory practicum based on intensive use of
media. Designed for the improvement of aural/oral skills. Practice
involves use of text related audiotapes and videotapes, individual
and group work, and recordings of student speech for evaluation
of pronunciation and fluency.
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01:470:105,106.
GERMAN FOR READING KNOWLEDGE (3,3) |
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Not
open for credit to students who have had two or more years of secondary
school German. Does not satisfy prerequisite for 01:470:131 or 132.
Development of reading skills for students who wish to acquire a
basic competence in the language for research purposes. Texts chosen
from the humanities, the natural sciences, and the social sciences.
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01:470:107-108.
ELEMENTARY GERMAN IN GERMANY (3,3) |
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Offered
only as part of the Summer Program in Germany. Credit not given
for these courses and 01:470:101-102.
Development of basic skills in speaking, understanding, reading,
and writing.
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01:470:111-112.
ACCELERATED BEGINNING GERMAN (6,6) |
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Four
meetings per week for 6 credits.
Accelerated development of reading, writing oral, and oral skills;
preparation for the Zertifikat Deutsch and 200-level courses within
one year.
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01:470:121-122.
GERMAN IN REVIEW (3,3) |
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Not
open to students who have taken 01:470:102.
Intermediate reinforcement course. Practice in speaking, reading,
and writing German; extensive grammar review; cultural topics.
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01:470:131-132.
INTERMEDIATE GERMAN (3,3) |
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Prerequisite:
01:470:102 or placement test.
Emphasis on conversation and composition, based on everyday situations,
aspects of culture, and contemporary German short stories; review
of major grammatical points.
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01:470:135,136.
GERMAN CONVERSATION AND COMPOSITION (3,3) |
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Offered
only as part of the summer program in Germany.
Intermediate language course emphasizing both colloquial and literary
German. Utilization of the Lake Constance region and its culture
as resource material. Excursions.
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Prerequisites |
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For
courses numbered in the 200 series: any two courses between 01:470:131
and 136, or the permission of the department
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01:470:211,212.
GERMAN CONVERSATION AND CULTURE (3,3) |
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Proficiency-oriented
with strong emphasis on speaking skills. Extensive use of audiovisual
material and guided conversation practice; texts and discussion
topics relating to everyday life, current events, and contemporary
issues in the German-speaking community.
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01:470:215,216.
INTRODUCTION TO TRANSLATING (3,3) |
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Treatment
of significant aspects of language transfer, both theoretical and
practical, with focus on texts from the sciences and humanities.
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01:470:231-232.
ADVANCED CONVERSATION AND COMPOSITION (3,3) |
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Reading
and discussion of advanced text material based on contemporary German
culture. Intensive practice in word formation, sentence structure,
and expository writing.
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01:470:241,242.
INTRODUCTION TO GERMAN LITERATURE (3,3) |
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Critical
appreciation of German literature through the study of selections
of prose fiction, drama, and poetry, and the culture of the periods
in which they were written.
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01:470:255.
THE FAUST LEGEND THROUGH THE AGES (3) |
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Taught
in English.
Relevance of the Faust theme to Western civilization from biblical
days to the present, with emphasis on Goethe's Faust.
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01:470:261,262.
MAJOR GERMAN WRITERS (3,3) |
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Taught
in English.
Selected masterpieces of German literature from the Middle Ages
to the present.
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01:470:275.
GERMAN STUDIES SEMINAR (3) |
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Required
for all German studies majors; should be taken in the sophomore
or junior year, to be taught in English.
Survey of topics, theoretical approaches, and research methods in
German studies. Interdisciplinary examination of twentieth century
German culture.
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06:090:281,282.
THE GERMAN LANGUAGE EXPERIENCE (P/NC 1.5, P/NC 1.5) |
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Limited
to and required of residents of the Douglass College German House.
May not be used in satisfaction of major requirements. Course may
be repeated.
Development of active language skills through formal instruction
and the daily experience of foreign language immersion in the varied
activities of the house.
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01:470:293,294.
INDEPENDENT STUDY IN GERMAN (3,3) |
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Offered
only as part of the summer program in Germany. Prerequisite: Permission
of the director of the summer program in Germany.
For students wishing to pursue an individualized project in German
language, literature, or civilization under the guidance of a member
of the department.
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01:470:299.
CONTEMPORARY GERMAN MEDIA AND SOCIETY (1.5) |
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Required of residents of Leupp Hall German special interest housing. Course open to other students, and may be repeated.
Development of active language skills and cultural awareness through study of the role of various media (including print, Internet, film, and the other arts) in informing contemporary German politics and society. Special attention to cultural differences between Germany and the United States. Texts and presentations chosen to accommodate language level of students enrolled. In cooperation with the Rutgers College Housing German Special Interest Section, it is an ample opportunity to take advantage of their numerous events and activities, which enable students to learn even more about German culture today. Successful completion of at least German 102 or comparable linguistic ability is highly recommended. Class will be held in German. Three credits from 470:299 may be counted toward the major and minor.
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Prerequisites |
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For
courses numbered in the 300 series: any two of 01:470:231,232,241,242,293,294,
or the permission of the department.
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01:470:301,302.
Introduction to Literary and Cultural Analysis (3,3) |
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Introduction to the basic German terminology of literary and cultural analysis, and preparation for courses in German at the 300-level. Study of literary works and films, as well as newspaper articles, film reviews, and literary analyses.
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01:470:313.
BUSINESS GERMAN I (3) |
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Prerequisite:
01:470:232 or equivalent.
Development of effective communication models with emphasis on the
terminology of economics. Treatment of basic principles governing
commercial organizations in the German-speaking countries.
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01:470:314.
BUSINESS GERMAN II (3) |
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Prerequisite:
01:470:313 or permission of instructor.
Continuation of 01:470:313 with emphasis on the terminology of international
commerce and the development of specialized language skills for
diverse business situations. Contrastive treatment of cultural factors
affecting German-American trade relations.
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01:470:315,316.
TRANSLATION SEMINAR I & II (3) |
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Methodology
and techniques of translating German-English and English-German.
Texts are drawn from a variety of fields, with special attention
to stylistic, syntactic, and semantic divergences between the two
languages and the latest developments in computer-generated translations.
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05:300:320.
MATERIALS AND METHODS IN GERMAN (3) |
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Only
for students in the German teaching program; others by permission
of instructor. May count as education credit but not toward the
major in German.
Practical solutions to classroom problems; course planning: teaching
aims, pedagogical devices, language content, cultural background,
selection of texts.
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01:470:321.
FUNDAMENTALS OF LITERARY ANALYSIS (3) |
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Introduction
to textual categories, literary terminology, and methodological
problems through the analysis and interpretation of representative
works of literature.
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01:470:323.
MASTERS OF GERMAN POETRY (3) |
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Readings
from such poets as Walther von der Vogelweide, Gryphius, Klopstock,
Goethe, Schiller, the romantics, Heine, George, Hofmannsthal, Rilke,
Benn, and Brecht.
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01:470:324.
MASTERS OF GERMAN DRAMA (3) |
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Study
of the drama through readings from such playwrights as Lessing,
Goethe, Schiller, Kleist, Grillparzer, Büchner, Hebbel, Hauptmann,
Kaiser, Brecht, and Dürrenmatt.
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01:470:325.
THE SHORT NARRATIVE: SIXTEENTH CENTURY TO TWENTIETH CENTURY (3) |
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Studies
in short genres of German prose such as the anecdote, farce, fable,
novella, and short story.
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01:470:326.
THE GERMAN FAIRY TALE AND FOLK TRADITION (3) |
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Studies
in the German fairy tale, legend, and folk song; principal characteristics
and cultural contexts.
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01:470:331.
GERMAN LITERATURE OF THE MIDDLE AGES (3) |
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The
first "Golden Age" of German literature (1175-1225) in
modern adaptation. Readings from such epics as the Nibelungenlied,
Tristan, and Parzival, as well as the poetry of the minnesingers.
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01:470:332.
GERMAN LITERATURE OF THE RENAISSANCE, REFORMATION, AND BAROQUE (3) |
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German
literature from about 1400 to 1700, with emphasis on the following
writers: Hutten, Luther, Hans Sachs, Fischart, Opitz,
Gryphius, and Grimmelshausen.
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01:470:333.
GERMAN LITERATURE OF THE ENLIGHTENMENT, ROCOCO, AND STORM AND STRESS
(3) |
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Major
authors of the eighteenth century, including Klopstock, Lessing,
Herder, the early Goethe, and Schiller.
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01:470:335.
GOETHE: LIFE AND WORKS (3) |
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Close
reading of Goethe's works against the cultural, historical, and
political background of his time. Selected poems, plays, and prose.
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01:470:337.
SCHILLER: LIFE AND WORKS (3) |
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Close
reading of Schiller's works against the cultural, historical, and
political background of his time. Selected poems, plays, and prose.
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01:470:341.
GERMAN CIVILIZATION I: FIFTH THROUGH FIFTEENTH CENTURIES (3) |
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Cultural
foundations of the German-speaking areas of central Europe from
the fall of Rome to the waning of the Middle Ages. Readings from
historical, didactic, and poetic documents, supplemented by slides
and recorded music.
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01:470:342.
GERMAN CIVILIZATION II: SIXTEENTH THROUGH EIGHTEENTH CENTURIES (3) |
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Cultural
foundations of the Holy Roman Empire of the German Nation from the
age of Luther to the Napoleonic era. Readings from historical, didactic,
and poetic documents, supplemented by slides and recorded music.
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01:470:343.
GERMAN CULTURE TODAY (3) |
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Contemporary
cultural, social, and political life in German-speaking countries
with emphasis on the daily experience. Audiovisuals, guest lectures,
field trips, and contact with resource persons.
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01:470:345,346.
GERMAN LITERATURE AND CIVILIZATION (3,3) |
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Offered
only as part of the summer program in Germany.
Interpretation and analysis of major works of German literature
as cultural phenomena, with special reference to the art monuments
of the Lake Constance region. Field trips to key sites in Austria,
France (Alsace), Germany, and Switzerland.
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01:470:349.
CONTEMPORARY GERMAN CINEMA (3) |
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In
English with one section taught in German.
New German Cinema as a contemporary mode of artistic expression.
Viewing and analysis of films by such outstanding directors as Fassbinder,
Herzog, Schloendorff, and Wenders. Emphasis on the "literary"
aspects of the German cinema.
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01:470:350.
THE NAZI PERIOD IN FILM (3) |
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In
English with one section taught in German.
Feature and documentary films dealing with the cultural, historical,
and political development of Germany from 1933 to 1945 and
its global implications.
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01:470:365,366.
LITERATURE AND SOCIAL CHANGE FROM NIETZSCHE TO BRECHT (3,3) |
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Taught
in English.
Interaction between German literature and society from the unification
(1871) and industrialization of Germany to the end of World War
II.
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01:470:367.
SELF AND SOCIETY IN THE POSTWAR GERMAN NOVEL AND SHORT STORY (3) |
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Taught
in English.
Major prose writers of Austria, Germany, and Switzerland since the
end of World War II.
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01:470:368.
SELF AND SOCIETY IN THE POSTWAR GERMAN DRAMA (3) |
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Taught
in English.
Major playwrights of Austria, Germany, and Switzerland since the
end of World War II.
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01:470:373.
BERTOLT BRECHT, DRAMATIST AND MARXIST (3) |
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Taught
in English.
Study of Brecht's Epic (Marxist) Theater and its impact on contemporary
dramatic theory and theatrical practice; an introduction to Brecht's
poetry of engagement.
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01:470:375.
NEW SUBJECTIVITY IN LITERATURE AND FILM (3) |
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Taught
in English.
Literature and film in the context of political, social, and cultural
developments since the late 1960s. Topics include the politics of
the personal, reconciliation with the Nazi past, the "death of
literature," and the rise of German feminism.
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01:470:380.
GERMAN-JEWISH LITERATURE AND CULTURE (3) |
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Taught
in English.
Special permission required for credit toward major. Credit not
given for both this course and 01:500:380.
Survey of German-Jewish culture, eighteenth century to present.
Literature in political-historical context, with some attention
to music, philosophy, and film.
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01:470:381.
CULTURAL FOUNDATIONS OF GERMANY (3) |
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Taught
in German.
Significant aspects of German civilization from the Age of Charlemagne
to the unification of Germany in 1870. Focus on the German contribution
to music, the arts, the sciences, philosophy, and literature.
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01:470:383.
GERMANIC MYTHOLOGY (3) |
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Taught
in English.
Myths and religious practices of the migration period and the age
of the Vikings. Sources: the Eddas, Christian and pre-Christian
documents and texts, archaeological finds, place names, modern folkloristic
beliefs.
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01:470:385.
THE CHANGING IMAGE OF WOMEN IN GERMAN LITERATURE (3) |
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Taught
in English.
Selected works of German literature that convey the experience of
women cast into socially prescribed roles.
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01:470:387,388,389,390,391,392.
TOPICS IN GERMAN LITERATURE AND CIVILIZATION (3,3,3,3) |
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Even-numbered courses taught
in English; odd-numbered courses taught in German. |
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01:470:393,394.
INDEPENDENT STUDY IN GERMAN (1-3,1-3) |
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Prerequisites:
Permission of instructor and departmental chairperson.
For students of exceptional promise wishing to pursue an individualized
project in German literature, civilization, or language under the
guidance of a member of the department.
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01:470:395,396.
GERMAN TEACHING APPRENTICESHIP (3,3) |
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Prerequisite:
Permission of instructor.
Development of various projects relevant to language teaching, e.g.,
preparing new teaching devices, conducting conversational groups,
and tutoring.
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01:470:431.
GERMAN LITERATURE OF THE NINETEENTH CENTURY: ROMANTICISM (3) |
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Romantic
period from Wackenroder to Eichendorff (1790-1850), including Tieck,
Novalis, Hoffmann, A.W. and F. Schlegel, Hölderlin, Kleist,
and Brentano. Readings of theoretical and poetic texts.
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01:470:432.
GERMAN LITERATURE OF THE NINETEENTH CENTURY: REALISM (3) |
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Study
of realistic literature from its beginnings (Hebbel, Grillparzer,
Heine, Büchner, Junges Deutschland, and Vormärz) to the
end of the century (Fontane, Raabe, Hauptmann). Readings of theoretical
and poetic texts.
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01:470:435.
GERMAN LITERATURE OF THE TWENTIETH CENTURY BEFORE 1945 (3) |
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Major
literary movements and figures from the turn of the century to the
end of World War II, including naturalism (Hauptmann), impressionism
(Schnitzler), symbolism (Rilke), expressionism (Kaiser, Trakl),
neo-factualism (Zuckmayer), the outsiders (Wedekind, Hesse, Kafka),
and the anti-Nazi writers in exile (Mann, Brecht).
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01:470:436.
GERMAN LITERATURE OF THE TWENTIETH CENTURY AFTER 1945 (3) |
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Literary
trends and currents from the end of World War II to the present: the
"literature of the ruins" (Borchert, Böll); documentary
theater (Weiss, Hochhuth); Brecht's Epic Theater and East Germany;
major novelists (Böll, Frisch, Grass, Wolf) and playwrights (Dürrenmatt,
Handke).
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01:470:441.
GERMAN CIVILIZATION III: THE NINETEENTH CENTURY (3) |
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Cultural
foundations of Germany from the abolition of the First Reich by
Napoleon in 1806 to the end of the Second Reich in 1918. Readings
from historical, didactic, and poetic documents, supplemented by
slides and recorded music.
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01:470:442.
GERMAN CIVILIZATION IV: THE TWENTIETH CENTURY (3) |
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Cultural
foundations of Germany from the end of World War I to the present.
Readings from historical, didactic, and poetic documents, supplemented
by slides and recorded music.
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01:470:444.
MASTERS OF GERMAN SATIRE (3) |
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Satirical
features and strategies in literary and visual texts from late medieval
carnival plays to postmodern cabaret.
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01:470:450.
READING WOMEN'S LIVES: TWENTIETH-CENTURY NARRATIVES (3) |
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Prerequisite:
A 300-level course in German or permission of instructor.
Twentieth-century women's literature and film; historical retrospective
and methodological introduction prepare for treatment of preeminent
postwar texts.
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01:470:460.
VOICES OF A CENTURY: TWENTIETH-CENTURY AUTOBIOGRAPHY AND CULTURE (3) |
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Prerequisite:
A 300-level course in German or permission of instructor.
Masterpieces of twentieth-century autobiography read in a social,
political, and philosophical context.
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01:470:491,492.
SENIOR SEMINAR IN GERMAN LITERATURE (3,3) |
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Analysis
and interpretation of selected works of German literature with emphasis
on various literary genres; discussions, oral and written reports.
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01:470:493,494.
INDEPENDENT STUDY IN GERMAN (3,3) |
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Prerequisites:
Permission of instructor and departmental chairperson.
For students of exceptional promise wishing to pursue an individualized
project in German literature or civilization under the guidance
of a member of the department.
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01:470:495,496.
SENIOR HONORS IN GERMAN (3-6,3-6) |
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Independent
research on a topic selected by the senior and approved by a departmental
honors committee; carried out under the guidance of a member of
the department.
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