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Assistant Professor (Russian) |
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evanbusk@rci.rutgers.edu |
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195 Coll Ave Rm 203 |
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Fall 2009 office hours: Wednesdays 3-4pm |
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Education |
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- A.B. Princeton University 1997
- Ph.D. Harvard University 2008
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Selected Publications |
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- “‘Nikto ne plachet nad tem, chto ego ne kasaetsia’: Chetvertyi ‘Razgovor o liubvi’ Lidii Ginzburg (podgotovka teksta, publikatsia i vstupitel’naia stat’ia Emily Van Buskirk. Perevod E. Kanishchevoi) (“‘No one cries over what doesn’t concern him: Lydia Ginzburg’s Fourth ‘Conversation about Love’”: text, publication, introductory article), Novoe literaturnoe obozrenie 88 (2007) 154-168.
- “‘Samo-otstranenie’ kak eticheskii i esteticheskii printsip v proze L.Ia. Ginzburg” (“Self-distancing as an Ethical and Aesthetic Principle in the Prose of Lydia Ginzburg”), Novoe literaturnoe obozrenie 81 (2006), 261-281.
- Review of Pavel Brycz’s I, City in Slavic and East European Journal Volume 53 Number 2 (Summer 2009).
- “Russian Formalism,” The Literary Encyclopedia, 4 December 2006. The Literary Dictionary Company.
- Translations of poems by Czech authors Michal Ajvaz and Jana Štroblová, Ezra: an Online Journal of Translation , Spring 2007 Vol. I No. 1.
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Works in Progress |
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Lydia Ginzburg, Prokhodiashchie kharaktery (Zapiski blokadnogo cheloveka. Proza voennykh let). Scholarly edition of Lydia Ginzburg’s blockade-related prose. Commentary, introductory article, co-editing together with Andrei Zorin. Moscow: Novoe izdatel’stvo.
- Lydia Ginzburg’s Alternative Literary Identity. A volume of solicited articles and translations. Co-editor with Andrei Zorin. Peter Lang AG.
- Article on Ginzburg’s Blockade prose for Slavic Review.
- A book based on my dissertation, Reality in Search of Literature: Lydia Ginzburg’s In-between Prose.
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Research Interests |
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Russian and Czech prose of the nineteenth and twentieth centuries. Autobiography, in-between genres (documentary literature, semi-autobiographical fictions, essays); Lydia Ginzburg; narrative technique and narrative theory; intersections between literary theory and practice; the 1920s; representations of war and of the Leningrad blockade; Czech film; the culture of the thaw; gender and sexuality; memory and history; selfhood and ethics, theories of the self.
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