Ph.D., Harvard University
15 Seminary Place, Room 4130
College Avenue Campus
Fall 2017 Office Hours: Tuesdays, 1:00pm - 2:00pm
Professor Naqvi’s research interests include ecological films; Austrian authors and filmmakers of the 20th century; the intersection of visual culture and literature; the theorization of interdisciplinarity; affect and media studies. Her current book project, The Ethics of Embarrassment, focuses on the concept of "Fremdschämen" and the works of Ulrich Seidl, Erwin Wurm, and Elfriede Jelinek.
Professor Naqvi teaches courses on Vienna 1900, Robert Musil, the German novel of the post-1945 period, modernism, and film (“From Haunted Screen to Hyperreality," “Bresson, Antonioni, Haneke," “Film Theory and World Cinema,” “Screening German Histories," "Our Threatened Planet: Documentary Films and Ecocriticsm").
- Fulbright Guest Professor at the Karl-Franzens-Universität Graz, 2013
- Rutgers Faculty of Arts and Sciences Award for Distinguished Contributions to Undergraduate Education 2006, category of Assistant Professor.
- Franz Werfel Scholarship, Vienna 2003-04.
- Max Kade Award for Best Article in German Quarterly, 2002
Author: Fatima Naqvi
(Chicago: Northwestern University Press, 2015).
Examines the relationship between buildings and Bildung, with chapters on the architectural neo-avant-garde of the 1960s, the Ambras cabinet of art and curiosities and the Art History Museum Vienna, the Ludwig-Wittgenstein-House.
Prof. Fatima Naqvi's new book on the intersection between architecture and education (Bildung) in the works of Thomas Bernhard appeared with Northwestern University Press (2016). A radio interview with her can be heard on Austrian Public Radio (Ö1).
Trügerische Vertrautheit: Filme von Michael Haneke Deceptive Familiarity: Films by Michael Haneke (Vienna: Synema Verlag, 2010).
Author: Fatima Naqvi
With an introduction by Nobel Prize Winner Elfriede Jelinek. Chapters on the relationship between Michael Haneke and literary adaptation (Ingeborg Bachmann, Elfriede Jelinek, Joseph Roth), the intimate public sphere, and post-national constellations.
The Literary and Cultural Rhetoric of Victimhood: Western Europe 1970-2005 (New York: Palgrave, 2007).
Author: Fatima Naqvi
Chapters on Sigmund Freud, Theodor Adorno and Max Horkheimer, René Girard, Peter Sloterdijk, Michael Haneke, Christoph Ransmayr, Anselm Kiefer, Friederike Mayröcker, Michel Houellebecq, Elfriede Jelinek. Introduction
with Roy Grundmann and Colin Root, Michael Haneke: Interviews (Jackson, MS: University Press of Mississippi, forthcoming 2016)
Guest editor of Modern Austrian Literature 39.2 on Elfriede Jelinek’s texts from 1995 to 2005.
- “A Melancholy Labor of Love, or Film Adaptation as Translation: Three Paths to the Lake,” revised reprint, The Wiley-Blackwell Companion to Michael Haneke, ed. Roy Grundmann (Malden, MA: Blackwell, 2010) 205-26.
- “Thomas Bernhard und die Tradition: ‘Andere Zustände’ in Amras,” „Ist es eine Komödie? Ist es eine Tragödie?”, eds. Attila Bombitz und Martin Huber (Vienna: Präsens, 2010).
- “Die unmögliche Möglichkeit: Zur Struktur von Elfriede Jelineks ‘Angst’,” Lob der Oberfläche, eds. Thomas Eder and Juliane Vogel (München: Fink, 2010) 131-42.
- “Friederike Mayröckers arte povera,” Ökonomien der Armut, ed. Elke Brüns (Munich: Fink, 2008) 207-19.
- “The Politics of Contempt and an Ecology of Images: Michael Haneke’s Code inconnu (2000).” The Cosmopolitan Screen: German Cinema and the Global Imaginary, 1945 to the Present, eds. Lutz Koepnick and Stephan Schindler (Ann Arbor, MI: Michigan UP, 2007) 235-52.
- “Elfriede Jelinek’s Post-Dramatic Stress Disorder: Analysis of a Programmatic Aggression,” Gegenwartsliteratur 5 (2006): 74-101.
- "Der Künstler als Amateur: Miroslav Tichý”/ “The Artist as Amateur: Miroslav Tichý,” Artists for Tichý—Tichý for Artists (Nuremberg: Verlag für moderne Kunst, 2006): 39-46; my own translation.
- “Die Ontologie des Nationalstaatlichen: Das Adjektiv ‘österreichisch’ vor dem Substantiv ‘Literatur’,” Literatur und Kritik (May 2006): 51-54. (The Ontology of the National: The Adjective “Austrian” before the Noun “Literature.”)
- Co-editor of Volltext and Recherche
- Associate Member of the Institute for Cultural Inquiry (ici)–Kulturlabor Berlin
- Board Member of the Botstiber Institute for Austrian-American Studies (BIAAS)
- Jury Member, Austrian Cultural Forum Translation Prize (2009-ongoing)
- Editorial Board of Germanic Review, German Quarterly
- Executive committee of the Division on Twentieth-Century German Literature, Modern Language Association (2015)
Recent Courses Taught at Rutgers:
- Post-War Cinema (Fall 2016)
- Vienna 1900 (Fall 2015)
- Film Theory and World Cinema (Spring 2014)
- German Film from 1945 to the Present (Fall 2015, Fall 2012, Fall 2010)
- Austrian Narratives of the 19th and 20th Century (Spring 2010)
- Women Writers: Bachmann, Jelineck, Mayroecker (Spring 2009)
- Von Comix zu Krimigeschichte: Kurzprosa des 20. Jahrhunderts (Fall 2014)
- The Cutting Edge: Introduction to Literary and Cultural Analysis (Fall 2013)
- German Literature after 1945 (Fall 2012)
- Werkstattgespräche: Introduction to Literary and Cultural Analysis (Fall 2010)
- Violence and Spectatorship (Fall 2013)
- Our Threatened Planet: Documentary Film and Ecocriticism (Fall 2013)